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Homophony
In music, homophony (; Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which two or more parts move together in harmony, the relationship between them creating chords. This is distinct from polyphony, in which parts move with rhythmic independence, and monophony, in which all parts (if there are multiple parts) move in parallel rhythm and pitch. A homophonic texture is also homorhythmic〔Griffiths, Paul (2005). ''The Penguin Companion to Classical Music''. ISBN 0-14-051559-3.〕 (or uses a "very similar rhythm").〔Randel, Don Michael (2002). ''The Harvard Concise Dictionary of Music and Musicians''. ISBN 0-674-00978-9.〕 However, in melody-dominated homophony, one voice, often the highest, plays a distinct melody, and the accompanying voices work together to articulate an underlying harmony.〔Hyer, Brian. "Homophony", ''Grove Music Online ed. L. Macy'' (accessed 24 September 2006), (Online ) (Subscription required)〕 Initially, in Ancient Greece, homophony indicated music in which a single melody is performed by two or more voices in unison or octaves, i.e. monophony with multiple voices.
Homophony as a term first appeared in English with Charles Burney in 1776, emphasizing the concord of harmonized melody.〔Todd Michel McComb, ed. ("What is monophony, polyphony, homophony, monody etc.?" ) ''Early Music FAQ'' (accessed 19 May 2009)〕
==History==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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